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You know how space movies all pretty much sound the same...creepy, dark ambient-mashups that make you feel like something bad is going to happen at any moment? Well, that's pretty much fake, except it turns out it's based on reality (of sorts).
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Before we get started, I'd like to remind you that I wholeheartedly reject the categorization of music for the purpose of making one genre "better" or "more important" over another. To limit oneself to one specific type of music is akin to limiting oneself to one specific type of food.
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As a still recovering, long-haired, flannel-shirt wearing, anti-Establishment disciple of music only people like me could ever possibly understand, I’m a little freaked out when a band that was exceptionally important to me over most of my life is honored with a museum.
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This week I’m going to de-construct the soundstage on Paul Simon’s groundbreaking 1986 hit You Can Call Me Al. I used a pair of KEF R900’s powered by a Parasound J1/J2 monoblock/preamp pairing and a Musical Fidelity A1008 CD player.
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I'm this guy: When I buy an album the first thing I look at when I read the liner notes is the production credits. This goes way back with me as I always felt a deeper kinship with music when I had an idea of where, how, when and by whom a set of songs was produced.
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