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As part of our monthlong International Drummer’s Month celebration, we sat down to talk with Dawes drummer Griffin Goldsmith about tone, influences, and the making of their current album The Misadventures of Doomscroller.
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So many ‘Best of Lists’ that focus on drummers tend toward the same familiar names in pop and rock music. It’s hard to argue that musicians like John Bonham, Neil Peart, Ginger Baker, and Keith Moon don’t deserve top rankings but it’s worth taking a moment to acknowledge some drummers of the past and present who maybe just don’t get enough credit for their style, innovation, and exceptional playing.
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So hats off to the innovators who had the vision to build the most foundational of all the modern instruments – the drum kit, and to those drummers who took this innovation and developed the sound that keeps us swinging to this day.
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Billy Joel’s Grammy-nominated eighth album, The Nylon Curtain, was released on September 23, 1982, peaking at Number 7 on the Billboard Albums chart, but the influence the album had on music and production in the early 1980s can’t really be overstated. The anxiety, confusion and general feeling of doom that had settled over the country in the previous few years were summed up nearly perfectly in the nine-song set. Joel has said The Nylon Curtain is one of his personal favorites, and “the recording I’m most proud of and the material I’m most proud of.”
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